I don’t believe in ghosts… but then, I don’t believe in coincidences either. This is the third in a series of compositions inspired by the Berlin School of electronic music that materialized in the late 60’s and early 70’s. It is also influenced by the musique concrète and tape pioneers from earlier in the 20th century such as Pierre Schaeffer, Karlheinz Stockhausen and Tristram Cary. This composition is largely non-tonal and features experimental sounds and textures wrested from an array of virtual instruments, organs, samplers, and particularly features sounds from a modular synthesizer. Clusters chords, tape manipulations, Shepard tones, – it’s all here. Want to know a 5 string electric bass guitar sounds like when it’s suspended in air and played like a tympani? Of course you do. That’s here too. You may wish to put away the earbuds and power up the subwoofer for this one.